Beatport, an online store focused on electronic music and DJ culture, has teamed up with Twitch to launch its own channel to support the DJ community.

The move comes over two months after Amazon-owned Twitch, known for livestreaming video games and esports, introduced its new DJ Category, allowing DJs to legally play music in their livestreams on the platform. As part of that launch, Twitch partnered with all three music majors, Universal Music Group, Warner Music Group, and Sony Music, and a large number of independent labels via Merlin.

Beatport’s Twitch channel will feature exclusive live sets from DJs in iconic locations worldwide, including rooftop performances in Barcelona, beach festivals in Ibiza, and intimate sessions from the Beatport London headquarters.

A quarter of music producers are now using AI in their craft – although a significant majority show signs of resistance to the technology, over fears of losing creative control.

That’s according to a survey from Tracklib, a platform that provides licensed samples and stems for use in music production.

The survey found that 25% of producer respondents are now using AI in the creation of music, although a large majority of those (73.9%) use it primarily for stem separation. Less than half (45.5%) use it for mastering and EQ plugins, while much smaller percentages use it for generating elements to use in songs (21.2%), and very few use it to create entire songs (3%).

According to Beatdapp Software, a music data tracking firm that describes itself as a “leading authority in fraud detection,” streaming fraud takes around $2 billion out of artists’ royalties per year, distributing that money to the owners of low-quality content designed to skim cash from streaming revenues.

“No one notices that a few pennies are going to this song and a few pennies are going to that song but, in aggregate, they can steal billions of dollars,” Beatdapp co-CEOs Andrew Batey and Morgan Hayduk told Sky News recently. That money would have gone to real artists that would have been used to pay out managers and agents and lawyers, labels, distributors. But instead it’s syphoned off and it goes to professional scammers who are just stealing from the industry.”

Music distributor and artist services company Amuse has unveiled ‘Stream Check,’ a new feature that lets artists know if their streams are being artificially inflated through streaming fraud.

“While there are plenty of bad actors who systemize streaming fraud, artificial streaming can also happen to artists who haven’t done anything at all,” said Erik Söderblom, Amuse’s Interim Chief Product Officer.

“An artist may cluelessly use a third-party promotion partner who turns out to be a bad choice, or legitimate tracks are added to a third-party playlist that utilizes bots without artists knowing, but the artist faces the penalties.”

In its 18 years of existence, Spotify hasn’t had a comments section to go with its music tracks. That sets it apart from other music platforms, such as SoundCloud, YouTube and TikTok (if you consider TikTok a music platform).

Now that’s about to change – at least when it comes to podcasts hosted on Spotify.

The streaming service announced on Tuesday (July 9) that it has begun to roll out the ability to post comments on podcasts, a move it says is key to podcasters’ ability to develop deeper relationships with their audiences

Widely respected music executive Kazuhiro Shimada has departed his role as Chief Operating Officer of Warner Music Japan.

MBW understands that Tuesday (July 9) was the Tokyo-based exec’s last day at the company and that an official update is likely to be issued soon.

Shimada joined Warner Music Japan in November 2022 from Amazon Music Japan, where he served as Director & General Manager.

Previously, Shimada was Corporate Executive of Universal Music Japan, and prior to that, Vice President, Strategy of MTV Networks Japan.

Shimada has also worked at GAGA Communications, an independent film acquisition, marketing and distribution company.